My Citizen Journalism

2007-10-22T11:27:00.000-07:00

New Article at HumanNatureMag.com on LA Gang Violence

Latino Versus Black Gang Violence Reaches New Heights in Los Angeles
National Attention Spurs New Crime Strategies, Fresh Round of Community Criticism

By COURTNEY WALKER

Los Angeles -- Gang violence between blacks and Latinos in Los Angeles is hardly new. But last year’s killing of 14-year old Cheryl Green in city’s Harbor Gateway neighborhood brought the national spotlight and a bevy of FBI-endorsed strategies to curb what police here call racially-motivated gang violence.

Police say Green was killed because she was black and have described the murder as a hate crime. Following the arrest of two members of the 204th Street gang, a Latino gang with 120 members, in connection with Green’s murder, FBI Director Robert S. Muller III joined Los Angeles Mayor Antonio Villaraigosa and local law enforcement at a news conference to announce an ambitious campaign to combat gangs in the city. The news conference was held in Harbor Gateway, a neighborhood of 12-square blocks in southern Los Angeles. On this day, Harbor Gateway was ground zero for Villaraigosa’s war on gangs.

2007-04-29T14:09:00.000-07:00

Barack and the 008 Movement

Last night, Saturday, April 28, 2007, presidential candidate, Senator Barack Obama, spoke in front of a crowd of roughly , a large number of whom where below the age of 35. Industry insiders and hipster politicos were among the crowd entertained by Cedric the Entertainer, who introduced the Senator.

Standing behind the stage where Senator Obama was to speak, I looked up to see Cedric the Entertainer enter so that he could warm up the crowd and introduce Barack. That Mr. the Entertainer is a funny man.

The Senator spoke for about 20 minutes, galvanizing the crowd with his booming voice harking me back to growing up in the Baptist churches of Louisiana. The man should have been a preacher. He spoke of the nation's need for a universal health care plan, how, when he moved to Chicago, no one could pronounce his name correctly, the current administration's dreadful foreign policy, the desire to help curb our nation's actions in destroying the environment and our dependency on foreign oil. He talked about his recent trip to Selma, Alabama and the 42nd anniversary of the march there, his ability to unite crowds by showing that events and identities America tends to seperate and classify into different groups can all be identified as one unit. Someone related to his story of the visit to Selma by saying how wonderful an experience it must have been to have been in touch with such a great event in African-American history. Obama replied to the person saying that it wasn't African-American history, it was American history.

I almost cried several times during the speech. Then I almost cried again when I saw Kate Walsh (Dr. Addison Shepard on Grey's Anatomy) standing directly behind me because I knew at that moment I would never be that hot. There were quite a few celebrities at the event, most of whom were African-American. The Senator's Harvard Law School classmate, Hill Harper, Gabrielle Union, Henry Simmons, Eric LaSalle, Lawrence Bender. I believe I saw Sanaa Lathan and supposedly, Oliver Stone was there, as well.

I spoke with one of the producers of the event, who works with 008 The Movement, and was told that there will be many more events to come, in an effort to reach out to younger voters, in the LA area.

All in all, a great event. An opportunity to see someone of Mr. Obama's stature do what he does best.
Here are some really short and not so great videos I took with my roommates digital camera.

2007-04-27T16:47:00.000-07:00

Trying my hand at photography to add to my bag of tricks. I've also started a second blog to a. get my ass in gear and become more prolific and b. to cultivate my aesthete-ness (not a word, I just made it up). My last video, Justin Bailey, is short, edited pieces of newscasts given to me by his best friend, Dimitris Rentzis. The 1m30s piece isn't that great but I think the point gets across.

2007-03-10T18:04:00.000-08:00

Max and Jason of Current TV Interview
By Courtney Walker

Max Lugavere (left) and Jason Silva (right) are quite possibly two of the luckiest people on television as the pair are faces of (recent Oscar winner and Former Vice President) Al Gore and partner Joel Hyatt’s Current TV. They have certainly solicited a bit of envy from me. I want their jobs, actually. The two are best friends, roommates, and co-hosts/producers (and Wikipedia entries…), and masters of finding a little bit of permanence in otherwise transient existences. They got their start at Current through collaboration on a documentary/performance piece titled “Textures of Selfhood” and when the network came calling, the two packed up and moved to Los Angeles.

We met at the Starbucks on Beverly and LaBrea on a particularly windy day so that I could probe into how the duo came to be, “Max and Jason Style” and what exactly that is, the joys of juxtaposing, whether they would mind if I called them Playboys of Current TV.

Courtney: You two met at the University of Miami, how did you become friends?
Jason: A girl.
We laugh.
Max: Folklore has it that I was friends with this really attractive Brazilian former model who was in a whole bunch of my classes and we would sit together all the time. And, I was in one of the classes with Jason and one day he started trying to…
Jason: Talk to her…
Max: talk to her. Yeah. And to get to her, he had to go through me first I guess.
Jason: Basically I figured that this girl is always sitting with this guy but they didn’t really look like they were dating, I mean they were close but… I thought that maybe I could be friendly to both of them, be the friendly dude, she’ll become endeared to me somehow. And that’s how we became friendly. Him and me really hit it off, we had a lot of things in common, a lot of interests that were really similar and we were both studying film. So we just kind of clicked. And she just kind of,
Courtney: Disappeared?
Jason: yeah, she went and did her thing.
Courtney: So you guys are like the Playboys of Current TV?
Max: That’s not what we’re trying to brand ourselves as, but if you get that vibe from us, we’re happy to go with it.
Jason: We’re definitely ambassadors, we’re out there, spreading the gospel of Current everywhere we go and we love to schmooze and put ourselves out there whenever we can.
Courtney: So you two go out a lot?
Max: Yeah, we definitely do our share of schmoozing in the nightlife sort of venues. From day one, our interests have always been about juxtaposition. Our film, the film that got us these jobs, called “Textures of Selfhood” and that film was ultimately about the juxtaposition between spirituality and hedonism. We’re both these deep thinkers, he had a double major in philosophy and film and I in psychology and film, and we were trying to reconcile our existential conquests with the fact that we were having such a great time in South Beach. You can’t get a more polarized juxtaposition than that. To this day, we still go out, have fun and meet interesting people but we are always evangelizing this amazing network with this amazing message behind it. So it’s really like we are able to have the best of both worlds, in a sense.
Jason: For us it was always about having our cake and eating it too.
We laugh.
Jason: We don’t think that living a joyous live with calculated indulgence necessarily takes away from being a person that is a deep thinking, intellectual, spiritual individual. Our film was that. And Current allows us to apply that sort of style of extreme juxtaposition; of putting two things together that you wouldn’t usually wouldn’t associate together, in our work.
Courtney: What’s a normal workday for you two?
Max: We actually live together and we carpool together, every morning we stop at this very Starbucks, get our coffee.
They both say hello to one of the patrons by name. We laugh.
Max: We know all the regulars. And then we go into work and you know, for the first hour or so we are scanning the zeitgeist, checking the newspapers, whatever, waking up. Then we go and get makeup.
Jason: Very little makeup.
I laugh.
Max: Very, very, very little makeup. To this day we’ve been on the air for two years and we’re not used to it. At all. It’s the bane of our existence.
Jason: It’s only for the studio hosting; we never wear it when we’re in the field. So, in the morning, it’s like shooting TRL, to give a parallel example. You know, we’re hosting. Then the rest of the day is given to us to act as producers. Placing phone calls, planning our next shoot or trip, or local shoot. One of the cool things about Current is that they let us pitch our own story ideas because we are also producers so whatever we are really interested in, in the world, they let us pursue. They want to empower voices, of young people. They really live up to that.
Max: One thing that most people might not know about our style of hosting is that in the typical sense, it’s not really hosting at all. Everything that we say, we are the writers of and we give ourselves a framework of what to say, on air, but because half the time we’re including each other in the discussion with the audience, it’s off prompter. We like to bring our field shooting spontaneity onto the stage as often as possible.
Jason: To try and have a conversational quality that you wouldn’t have with the traditional talking head host. Because we are able to play off of each other, that it’s like a genuine relationship, it’s not staged; we’ve been able to find a way to make the audience feel included in something that is authentic as possible. Who you see on TV is who we are.
Courtney: Max, you had a web design business in high school. Why go away from that?
Max: I did it to make some extra cash. It turns out that I was really good at it, I had a really keen understanding of it, to this day. However, I have a lot of interest and I didn’t want to spend most of my days in front of a computer, there was no reason for me to. I think it’s fun, it’s mentally very challenging. But I wanted to be out there, whether it was filmmaking or making music, I’m a musician also, I didn’t want to have a static sort of job, I wanted it to be dynamic. That’s why Current for me, is the most fulfilling thing I could wish for, I get to have the computer stuff, to edit and be the producer and then I get to go out with Jason and document my experiences on video.
Courtney: And you’ve been doing film since you were thirteen, Jason?
Jason: Yeah, every since I bought my first 8mm camera, I always got a kick out of reliving experiences as captured through the video camera lens. For me it was like, here you had something funny or wonderful or sad happen and then you could watch it and it let you capture time. And as a kid, I was always sensitive to the passing of time and so for me, to be able to capture time was very empowering for me. At first I was only behind the camera, I would make videos with my little brother, he was the victim, the guinea pig and, in Venezuela where I grew up we had a gardener who was with my family for many years and him and my little brother were the stars of my movies. I would dress them up and make music videos. As I got older, I felt compelled to also throw myself in front of the camera because I want to document my experiences too, not just create and capture other peoples and then it became about capturing experiences with my friends. Max and I both had parents that encouraged us to do what we loved. I loved filming stuff and my mom said, “Do that. Just do what you love and the universal will find a way to conspire in your favor”. And Current TV was very much a manifestation of that. Well I like filming stuff but I don’t really want to be, like, a PA, I just want to go out there and film stuff and put music on it and capture experiences but I don’t want to be just a journalist, I want to have fun too. Current TV allows you to do all of that. In many ways it’s like we manifested it. It’s kind of like a dream come true on paper.
Max: We just saw this movie called ‘The Secret’. We were totally bugging out because before we were even thinking about what we were going to do before we graduated, Current TV didn’t exist. Then, just as that sort of anxiety was starting to creep in, all of a sudden there is this network that is looking to empower passionate storytellers. So we totally feel like it’s the best manifestation of what we could possibly do in our profession.
Jason: The best thing about Current is the same way it opened that door for us, people with important things to say and impassioned individuals like us, Current has actually opened that door for everybody. Everybody can go to www.current.tv and submit content and everyone can greenlight everyone else’s content, it’s just sort of, like, democratic, meritocratic, do something compelling, your voice is going to be out there and there’s never really been something like that on television before.
Courtney: Jason, you’re from Venezuela, Max, you’re from New York, and you both lived in Miami. How do you guys like LA?
Jason: I like to think that Miami is the sort of place that encourages juxtapositions. It’s a place where a New Yorker and a Venezuelan become friends because they are both mutually attracted to the city because it’s diverse, because it’s a mix of Americans and Europeans and South Americans. And there’s the sun, the whole energy, the festivities. It’s a place that invites cultures to co-mingle and coexist. And all of our friends ended up being really diverse and we ended up here. How did we end up here?
Max: Our experience in LA has been very kind of sugar coated, because we moved out here for Current, but I love LA. I actually prefer it. I don’t want to sound blasphemous but my experience here has been better than my recent experiences in New York. Even though I grew up there and went to high school there, I love it, I think New York is one of the best cities in the world. But I think LA combines what is great about New York and what’s great about Miami. It’s got the milder weather, the great nightlife – even though the clubs close at 2. Which is kind of annoying. Although, we recently went back to Miami and realized because we had adjusted to the 2am closing time here, we couldn’t handle the 6am closing down in Miami. It felt awful, like we were getting old.
Jason: It’s very exciting here that everybody is out to create something and make something of themselves. Everyone is very ambitious. I can’t say that my experience in Miami is the same. In Miami, it seems like there are a lot of people enjoying the wealth that they have already made. Which is lovely.
We laugh.
Jason: I plan on going back there when I become extremely successful. People don’t seem to move on there. Here, everyone seems to be trying to better themselves and there is something very inspiring about that.
Courtney: So the counterfeit ID story, you got quite a bit of recognition for that, who came up with the idea, how did that come about?
Max: The idea was actually pitched to us by one of our favorite producers at Current, this guy named Mitch Koss who was actually one of Anderson Cooper’s first producers, early in his career, and so he met us and right off the bat, saw the juxtaposition, you know, these two guys from Miami… And he pitched the story to us. Jason speaks Spanish and was going to go and buy one of these counterfeit IDs, long before, mind you, anybody in the media was talking about immigration problems. He was just so ahead of the curve on that one. And so, we went and did the story.
Jason: It was shot very interestingly. We had two cameras, we dressed in our natural street clothes.
Max: I was wearing board shorts from Abercrombie, in one of the worst neighborhoods in LA.
We laugh.
Jason: And so, we had two cameras, so we could shoot our story from two different perspectives. We went there and then we split up and kept in touch by cell phone, I would go and pretend to be a Spanish immigrant needing an ID and talking on the phone, saying, “I need this, I need that”. Then he would film himself walking around getting hit on by prostitutes.
Max: Male prostitutes.
We laugh harder.
Jason: It felt like Mission: Impossible.
Max: I learned that MacArthur Park is also known as Pleasure Park. And Good Time Park.
Courtney: Wasn’t that like a Donna Summer song?
Jason: Maybe.
Max: I don’t know.
I looked it up, it is… Kind of sounds like the makings of a good disco song, right?
Max: It was definitely….
Jason: So, I finally got the card and then the story came out amazingly because we had the fake Social Security card. And then a couple of months later, when all the protests over immigration were happening here in LA, Anderson Cooper was in town doing a bunch of reports on the issue, one of the reports was about the counterfeit ID culture and he’d caught our story and so he featured our story within his larger story about the IDs. He did a throw to Current TV and showed a clip of us and the card and it was just unbelievable. I think it was Current’s first foray into CNN.
Max: It was. Or one of them; one of the earliest ones.
Courtney: Did you guys actually get to meet and talk with Anderson?
Jason: We talked with one of his head producers because Anderson was caught somewhere else. We were supposed to though.
Max: We briefly exchanged emails with him. He said good job on the story. Which was cool. I would love to meet him. Rumor has it that he watched Current all the time, or at least when he has time. The guy is one of the busiest men on Earth.
Courtney: I want his job too.
Max laughs.
Courtney: So, what’s the most interesting story you’ve reported so far?
Jason: Lately? One of the most recent ones that I think we’ve done was, we were in Miami for New Years and we wanted to stay a little bit longer, so we tried to come up with a really good Miami story. We found this United Nations development report from 2004 that said that the rate of immigration in Miami, the number of immigrants, was 60%. That rate is the highest of any city in the world. Now, we’re talking percentage, not volume, obviously in volume, there are more immigrants in California, but there are also a lot more people in California. But Miami is actually 60% immigrant. We thought that was fascinating so we thought - let’s profile some of the immigrants in Miami. Not to mention that Miami is known for attracting a different type of immigrant than the stereotypical ones. We call them the Jet Set Immigrants, the cosmopolitan investors, they’re buying property, and they’re opening businesses. It’s not just the illegal border jumpers that everybody imagines here. It’s a different immigrant there. So we decided, let’s profile it.
Max: I am still getting over this story we did at the Pleasure Chest.
I laugh, I laugh a laugh that only someone who has been to the Pleasure Chest and can sympathize with Max can laugh.
Max: With all due respect, I loved the Jet Set immigrant pod we did, it was amazing, we shot it with a 24p camera, it was gorgeous, it was a really great piece, we edited it. But, for Valentine’s Day, we went to explore an adult novelty emporium on Santa Monica Blvd. And Jason and I got spanked by a professional spanking instructor.
Courtney: Is this one still on the site?
Max: They saved it for late night airing because it was a little more risqué than your average Current TV fare. But, fun nonetheless. There was a weird hammock looking object that…
Courtney: It’s towards the back, isn’t it?
Max: In the store?
Courtney: Yeah.
Max: Oh, you’ve been there?
Courtney: Yeah.
I laugh, again. For the record, I haven’t been in there for at least a couple of months. I just have a really good memory.
Max: Yeah, it’s towards the back. That was the one that I was considering buying. Everything else was a little too intimidating. But the hammock seemed nice. You could take a nap on it and you could use it…
Courtney: For other things.
Max: Yeah.
Courtney: Is there anyway that I could get a copy of that?
Max: That pod? Definitely, we’ll send you a copy.
We all laugh. Note: As of this writing, I still haven’t received that pod. Hmmm.
Courtney: Max and Jason style, what is it?
Max: That style is the branding that we are giving our pods, that goes back to the juxtaposition we talked about in the beginning. Max and Jason style is a style of gonzo journalism where you can juxtapose to seemingly polar extremes, like hedonism and spirituality or the beautiful landscape of South Beach with an intelligent story like the Jet Set Immigrants piece.
Jason: There’s a great strength in that juxtaposition idea. I think a lot of artists have used it before. Marilyn Manson used to talk about how he loves the idea of juxtaposing polar opposites, like his name, Marilyn from Marilyn Monroe and Manson from Charles Manson. Max and Jason, yin and yang, brown and white, South American and American. There’s a juxtaposition everywhere. And everything that we do, we feel like, if they’re not paying attention to you from one of the angles that you are presenting to them, then they are paying attention to you because of the other. If they don’t care about the philosophy of our film, they’ll care about the hedonistic imagery. We work really well that way, it comes naturally to us. I mean, we live that way, right?
Max: Absolutely. That was one of the pillars of our friendship from the beginning. We like to think that we are intelligent, well-spoken people with interests in the higher self, which is totally true. But at the same time, we have interests in things that are maybe not so highbrow. Jason loves fart jokes.
Jason: Fart jokes are pretty good for me.
Chuckles, not so much laughs, this time around – at least at first, then Max laughs for a while.
Jason: A lot of moralistic archetypes try to tell you that you can only be one way or another, highbrow or lowbrow and we sort of embrace it all. Life is everything. Why not have an intellectual conversation with a beautiful woman in front of the ocean, have that blend together?
Max: When you think of an upstanding citizen with a high moral code and he is deep and spiritual, you think of, traditionally, a sort of ascetic. We try to be that but at the same time, we like the indulgence, we like the hedonism and that sort of balance permeates every aspect of our being.
Jason: For example, the story we want to do in Boston, in the spring, we’re going to interview Ray Kurzweil, the Wall Street Journal called him a restless genius, he’s one of the best inventors, Bill Gates and Bill Clinton have called him the best guy at predicting the future. He believes that technology is increasing as such an exponential rate that within the next twenty years we will have the power to overcome death as a species by either having nanobots that keep us young or downloading our consciousness into a computer that has the parallel processing power of the human mind. And so for us, that is the perfect example of juxtaposition. Here’s a really intelligent, scientific, brilliant guy but what all of his work applies to…it’s a guy that loves life and loves the idea that humans are the only creatures that might foresee that we will die one day and have taken up efforts to try and stop that. It’s the idea that you can have both. You can be a lover of life and because of that, you can have all of these spiritual and higher aspirations. We are not life deniers, we are life indulgers. He’s going to make me and Max immortal.
Max: Hopefully. One can only hope.
Courtney: You both mentioned making permanent otherwise fleeting moments, which I guess could be directly related to the attraction to Mr. Kurzweil, life being one big series of fleeting moments. Jason, you said that as a child you were always very sensitive to the passage of time. Do you find that you take that desire for a sense of tangibility with regards to all events of your life? For example, do you guys tend to journal or chronicle things? Max, does it spill over into songwriting? And if so, do you think this helps in your duties at Current?
Max: For me, the earliest way to both capture moments as well as generally my feelings, anxieties, and passions in general was the Internet. As you know, I was an avid web designer and I had a personal blog that served that served that purpose – I wrote about everything from applying to college to eastern mysticism – as well as provided an online “canvas” for me to experiment with more visual expression and it makes me feel good now that the world has caught on to this tool as the same sort of outlet. ‘Textures of Selfhood’ was an experiment for me to see if I could do it with video, as my friend Jason has been doing for years – and I could (and now we are helping Current facilitate doing that for others as well – coincidence…?) My goal now is to let that same thirst for tangibility find solace in songwriting. It’s been difficult because the craft is so new to me and I kind of feel like my expressive and artistic synapses are already hard wired, but that’s my goal at the moment - to channel ‘Textures of Selfhood’ through songwriting. Total side project but I love a good challenge!
Jason: Absolutely! My way of chronicling special moments has been about deciding to make them count by affirming them, and by extension, filming them. There was always an urge to say, “I was here, I felt this and it mattered to me”. Videotaping my epiphanic, funny, moving or inspired moments was my way of screaming the words of Dylan Thomas: ”Do not go quietly into the night; rage, rage against the dying of the light. It absolutely has influenced some of our work at Current. For example, our philosophical sit down with director Darren Aranofsky was an excuse to talk about immortality and permanence in his latest film gem, “The Fountain”. My other favorite films are Vanilla Sky and The Beach – both are about the search and desire for visceral and tangible bliss/love.
Courtney: Are there any stories coming up about the impending Presidential Race?
Jason: We’re trying to get an interview with Barack Obama. A friend of ours knows him and it would be really cool to spend a day with him. I think he’s a phenomenon, I think he is really interesting. I hear that African-Americans believe he isn’t black enough and whites believe that he’s black. I think he’s a mixture of both, of both racial and cultural sensitivities put together, that’s why he’s such a fascinating character.
Courtney: You guys are both into documentary storytelling, are you passionate about any ideas that you want to get out soon, in a feature length project?
Max: That’s definitely in the cards, we just have to put our head together and see which one of our passions we will be able to explore in a visual way, because we have a lot of interest.
Jason: I guess if we did a feature length, we’d have to collectively plan to make sure we had the resources that we need so that we have an hour long segment that would be as entertaining as our seven minute segment.
Max: We would like to do it abroad.
Jason: Yeah. Definitely. On the road. There’s something really powerful about being in a strange place, escaping your routine, and you are forced to experience everything anew, all the time. That leads to ideas, creative and mental stimulation.
Courtney: Well, guys, I think that’s it! Thank you.
Max: Wonderful. Thank you.
Jason: Awesome. Thanks.

And so it ends there. Of course they don’t mind me calling them the Playboys of Current TV. But I don’t think that’s what they are. I believe that they are simply two young, charismatic, extremely intelligent (and, yes, particularly attractive) men who are enjoying life and their jobs and that shines through in their work. To call them Playboys would belittle, ultimately, the well roundedness of their personalities, of their characters. So, I will call them the Intellectual Hedonists of Current TV (though, I like to think of them as the Oscar Wilde’s of Current TV but less debaucherous – as far as I know -, less sardonic and biting and culturally critical, and you know, not gay). Watch out for these two. There is definitely more to be heard from them.

2007-02-14T11:27:00.000-08:00

And here's Reza Interview 1. Sound qualities a bit better than the first video AM/PM. That's me asking the questions...I was a bit nervous.

2007-02-14T11:16:00.000-08:00

Here is Reza Aslan Interview 2, I'm putting this as post because when you look at the site, your going to go to the top of the page and see Interview 1 first, even though it's a later post.

2007-02-10T23:00:00.000-08:00

So, the whole greenlighting thing didn't happen, the video, though not too bad, definitely had audio issues (I'll know not to shoot an interview in Denny's) and the comments I received reflected that. The next uploads are two videos in a series, an interview with Reza Aslan about the West and Islam, the situation in Iraq and this country's relationship with Iran and Syria.

2007-02-03T14:28:00.000-08:00

Got my first video on www.current.tv. Hopefully I can get it greenlighted to be placed on Current TV. It's here below, please excuse the edit, I had to teach myself Avid. It's not too bad though, right?

2006-12-22T16:18:00.000-08:00

So, I did an interview with a gentleman by the name of Guy Jacobson, who wrote and produced a film called 'Holly', based on an experience he had being solicited for sex by a group of 5 to 7 year old girls while travelling in Cambodia. His production company and info about the film can be seen at www.PriorityFilms.com and the grassroots organization he founded to help combat the worldwide epidemic of child exploitation can be found at www.redlightchildrencampaign.com. I did the interview, checked some facts, got information from the US State Department website concerning the Trafficking in Persons Report, an expose Dateline NBC has done on the topic, etc. I published the piece at www.losangeles.broowaha.com and very soon after got a complaint from a gentleman, an expat, who lives in Cambodia, saying that I was sensationalizing the issue, that it is a mostly underground thing, essentially that I was making the country look bad. So this is what it's like to have your work disputed... Now, I am totally not saying that the work was major or that the dispute was that big of a deal, but I now have a low level idea of what it feels like to have a piece of my writing to be disagreed with, shall we say.

2006-11-15T20:30:00.000-08:00

Well, I had gotten all excited yesterday, because I thought I was going to have the opportunity to sneak on to USC’s campus and attend the Annenberg School’s discussion with New York Times reporter Eric Lichtblau titled “Reporting the War on Terror: How Much does the Public Really Need to Know?” Apparently Mr. Lichtblau won the Pulitzer for National Reporting in this year for his stories on the fine boundary line between protecting National Security and fighting terrorism and protecting civil liberties. (I wonder what college he went to…). Unfortunately, even after looking at the date on the printout I made during my regularly scheduled intern time at City Hall, multitasking between looking for press releases and clipping and organizing newsclips about the city councilman I volunteer for, I hadn’t realized the date was not for the next day, Wednesday, but for that day, Tuesday. Great…

The topic of discussion, which, hopefully, I will be able to, at least, get a transcript of from somewhere, got me to thinking about www.back-to-iraq.com blogger, Christopher Albritton, who solicited funds for a move to Iraq and provide coverage of the ‘situation’ (my words, not his) going on there. I seem to be fairly behind in the blogosphere, I heard and was inspired by this, a few months ago, but apparently the actual event took place in 2004. How behind I am. I was amazed at hearing his story. To know that an independent journalist, a blogger, can make somewhat of a living, solely writing for the web is inspiring, especially when it leads to gigs with established, old line media outlets. But it seems that most of the reportage entails at-home observations from someone of real or imagined expertise or research via telecommuting, perhaps even trekking to some event on your own dime (especially if the blogger lives in a metro area like New York or LA or DC) and reporting from there, but to have enough readers, loyal followers who would pitch in their hard earned bills so that you might go off to some far away land and tell them of the goings on there, to me, is amazing. I am emboldened, exhilarated. I am probably really naive.

2006-11-14T18:12:00.000-08:00

So, I have been mulling about, the thought of finishing school and seriously pursuing a career as a journalist and fiction writer. Establishing credibility in either concentration is a feat in and of its self, and is not mutually beneficial with wide ranging success. But my primary dilemma comes from the school issue. I love California, I love the small and somewhat broken life that I have made for myself, though it could be a lot better, my support system is not what I would like it to be (could be much, much worse, though, I mean, at least I have one), a lot more exciting (but achieving those things is entirely up to me, so I’m not complaining…) and I believe that I would like to make this home a permanent one. I have a tendency to move somewhere, stay for two or three years and then move on (which I think, makes me a good candidate for a foreign correspondent, don’t you? I mean besides the whole being able to write clearly and concisely, report facts in a way that appeals to readers and/or viewers, the general stuff) and I am just past my two years here. I have been contemplating for a long time a move to the East Coast, to seek admission to Brown or Columbia’s Non-traditional student programs. But the issue is, even if admitted, is moving clear across the country the best thing for me; I question why I want so badly to do this. I guess badly is not the correct term; I wonder why this has nagged at me for so long. My options are: return to University of California, Santa Barbara, finish, at the latest, in a year and a half, and only be 2 hours or so away from my friends/surrogate family, the beach is right there, snow is not far away and I pay in state tuition at a pretty good school, especially compared to where I’ve been. Or, attempt to get into (preferably) Brown or Columbia, stay there the mandatory two years to be eligible to graduate, get used to actually experiencing Winter, and traverse the hallowed halls of one of America’s most prestigious schools of higher education. And that last part is what I think has been tugging at me for so long. Hailing from Louisiana, where education is something akin to a farce, and always being told that I had the ability to make it, academically, anywhere I wanted to (and thus, though this may not be true, I began actually believing it), the ego stroke of graduating from a top 15 or 20 college, especially an Ivy League one, has always been one I’ve longed for. Is the cost of moving, the price of a significantly higher tuition, leaving a second family all worth the supposed prestige and academic excellence. At my age, this really should not be an issue; at least I believe it shouldn’t be. And with that degree, am I more likely to be taken seriously as a novice? There is forever the stigma that the West Coast doesn’t produce serious anything – news reportage, intellectuals, artists – there is the permanent stain of an intellectual inferiority complex compared to New York. I mean, just look at the LA Times. It has no true way to compete with the New York Times or the Washington Post, especially given their national and foreign desk strengths, but they keep trying and in the process, completely ignore the local news and therefore, isn’t as widely read in Los Angeles as it should be. What’s a girl to do, how do I refrain from falling (further) into that state of mind? I thought, maybe I could try to get an internship with the Times, but they, apparently, at present don’t offer any (insane) and are in the process of pitching a budget to the publishers to get one established. I’m sure an internship program, right now, is not exactly a top priority with Tribune and Co. Well, what about writing as much as possible, getting my work seen wherever I can, maybe seeing about interning with one of the city’s weekly papers, taking a journalism class or two at UCLA or USC (though currently I am at UCLA Extension, reigning my focus in on Middle Eastern Studies), and pursuing other activities that will make me a well rounded individual with various points of reference with which to use in my writing. Is it possible to be an West Coaster, with a decent degree and a fair amount of drive and ambition and be just as respected as a New York or Washington journalist, with an elitist (not necessarily a negative connotation) education, having racked up a far more substantial amount of debt in the process? Will more opportunities present themselves one way or the other? Should I just stop wasting my time worrying about it, get out of school as quickly (and with the least amount of money owed) as possible and get some real world experience?

2006-11-11T16:16:00.000-08:00

With so many things going on, the Democrats taking the House, Ed Bradley dying, it finally feeling like fall here in Southern California after days of sweltering heat (or at least sweltering heat for this time of year), seeing the woman that plays Tammy (aka Tamila, Coppertop) on Strangers With Candy at the Ray LaMontagne concert Thursday night, it's hard to figure out what I should write about first, so give me a moment or two and I will come up with something...